|Blue Devil Posse at Blocko 2017|
Tuesday, January 16, 2018
Friday, September 15, 2017
|From Beyond - Accordion style book - encaustic wax, faux fur, pencil, pastel, pencil|
This piece was presented along with a shoe box-sized Hangman installation. Below is the write up of the show at John B Aird Gallery as part of OPS Pride Network programming.
The exhibition is centred on the theme of intersectionality, a concept increasingly used to understand complex social equity issues through relationships of power and privilege. An intersectional perspective recognizes that it is not sufficient to view dimensions of identity and diversity in isolation, and that the intersection of social identities is critical to understanding social realities and impacts on individuals and communities.
Artworks included in the exhibition reflect how LGBTQ social issues and identities intersect with those related to race, gender, ethnicity, religion, age, ability, class, family structure, sexual and mental health, and other dimensions of potential discrimination, marginalization or stigma.
In House Exhibit for Residency at Paper House StudioAt the beginning of this year I had a wonderful opportunity to be a resident artist at Paper House Studio. I worked with Emily the Studio Coordinator who was really helpful. Overall it was a good experience for me - I learned a lot.
|Space Robe drying|
|Power cell fabrication|
|Installation view Space Robe and Helmet|
|Close up of Space Helmet|
Saturday, October 1, 2016
Occupy Space Exhibit & Workshop
Aug - October 2016
|Farah Yusuf Curator|
|Farah Yusuf, Nat & Ashley (L space Director)|
Occupy Space taps into other-worldly imaginaries to address the social reality of Canadian diversity. The creators of the works featured in this exhibition move in from the margins to occupy speculative realms of popular culture – where the politics of inclusion remain contested.
The exhibition is grounded in Afrofuturism, which began in the ‘60s as a musical and literary genre that merges modern technology, African roots and futuristic imagery. By allegorically linking space travel with the forced migration of Africans slaves, Afrofuturism provides a platform to imagine alternative narratives of black identity that are empowered and self-determined.
A constellation of ethnically diverse and Indigenous futurisms have recently emerged to address similar themes of cultural alienation and reclamation. These narratives reject the idea of a compulsory black, Indigenous, or ethnic identity relegated to a historical past. By using visionary fiction as a blueprint for cosmic liberation, these futurisms are revolutionary acts of resistance to the whitewashing of western media. The impulse is no different from the current widespread use of Occupy Movement’s imperative to “take up space” on sites of tension to demand change.
Curated by Humber Galleries' Curator in Residence Farah Yusuf
Resource guide : Provides text and writing on the works in the exhibition.
Space Travel Talisman Workshop with Natalie Wood
Join me for a hands-on workshop in creating a space travel talisman. Participants will be provided with symbolic materials and be instructed in how to create their own talisman to use in their travels through time and space. The piece they create will ground them to their specific time for their return voyage, protect them in their travels and direct them to the time/ space to which they are traveling.
Humber Art Galleries - L Space
19 Colonel Samuel Smith Park Drive
Toronto, ON M8V 4B6
Hangman Installation & Video
Here are excerpts from the video Hangman and a link to see it. Like the title suggests the video references the game Hangman.
It is about the slurs and derogatory names that we get called - sodomite, battygirl/ boo, ni**ger etc and the thought that what if every time those words are used it conjures up and re-members a queer/ black/ radicalized and racialized person who is ready to fight against these labels and painful put downs. In Black Skin White Masks Fanon writes " A man who has a language consequently possesses the world expressed and implied by that language" and in Inventing Reality; Physics as Language, Bruce Gregory points out that language allows us to interpret our experiences and even the physical world and "how much of what we see is an optical illusion - an interpretation fabricated from our interaction with the world". Special thanks to Deidre Logue for equipment support.
Gladstone Hotel Install June 8th - August 17th 2016
|Hangman Installation Rm 205 @ Gladstone in the process|
|Installation of Hangman near completion|
|Opening Reception - Playing Hangman|
|Some visitors who talked about semiotics and the interactive element of Hangman that asks viewers to construct their own interpretations of partially formed words...|
|The visitors generating many solutions to those partially formed words - how would you complete .._ IGGER?|
|Even the kids could not resist brown paper on a wall and chalk|
|All the partners involved in this Show - Gladstone Hotel President & artist Christina Zeidler, 10 x10 Curator, James Fowler, TSG Curator: Syrus Ware, & Lukus Toane Director of Exhibitions, Gladstone Hotel|
Friday, September 16, 2016
Natalie Wood, Erica De Freitas & Genevieve Wallen at the Opening for Solace.
Nia Centre for the Arts asked me to write the essay for this exhibit. Thank you Nia Centre for the Arts, Genevieve Wallen for having me jury and write to contextualize the work of the amazing artists in the show. It was held at the Gladstone, March 17th 2016.
Qouleur 2015: Les émotions contenues : Une soirée de cinéma de Qouleur / Contained Emotions: A Qouleur Film Night
Will (3 mins) was screened Thursday 20 August 2015.